{"id":7321,"date":"2025-10-16T15:04:05","date_gmt":"2025-10-16T12:04:05","guid":{"rendered":"https:\/\/ipmafestival.lt\/?p=7321"},"modified":"2025-10-21T22:36:42","modified_gmt":"2025-10-21T19:36:42","slug":"kaunas-pilnas-kulturos-ipma-dalyvio-visvaldo-morkeviciaus-fotografijoje-refleksijos-apie-galios-mechanizmus-2","status":"publish","type":"post","link":"https:\/\/ipmafestival.lt\/en\/2025\/10\/16\/kaunas-pilnas-kulturos-ipma-dalyvio-visvaldo-morkeviciaus-fotografijoje-refleksijos-apie-galios-mechanizmus-2\/","title":{"rendered":"Kaunas pilnas kult\u016bros: IPMA dalyvio Visvaldo Morkevi\u010diaus fotografijoje \u2013 refleksijos apie galios mechanizmus"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>\u201eMes esame skydai, kurie gali b\u016bti naudojami pulti ar saugoti. Klausimas, kas mus naudos \u2013 ar tie, kas yra galios pozicijoje, vald\u017eia? O gal mes patys \u012fgalinsime save spr\u0119sti?, \u2013 svarsto menininkas Visvaldas Morkevi\u010dius. Jo k\u016bryboje k\u016bnas analizuojamas kaip galios instrumentas, biopolitika kaip kasdienyb\u0117s fonas, o menas \u2013 kaip refleksijos priemon\u0117.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Susipa\u017einti su menininko k\u016bryba \u0161iuo metu galima Kaune, istoriniame pastate K\u0119stu\u010dio g. 70 vykstan\u010diame Tarptautiniame fotografijos ir medij\u0173 meno festivalyje IPMA. \u010cia eksponuojamas menininko darbas \u201eUntitled\u201c, analizuojantis, kaip \u0161iuolaikinis \u017emogus tampa ne tik steb\u0117toju, bet ir sistemos objektu. Su menininku apie tai kalbasi Tamara Pathak.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6ad06c3150c3b&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6ad06c3150c3b\" class=\"aligncenter size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"2560\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/24-12-16-Visvaldas-Morkevicius-by-Thomas-Martin-scaled.jpg\" alt=\"\" class=\"wp-image-7312\" style=\"aspect-ratio:2\/3;object-fit:cover\" srcset=\"https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/24-12-16-Visvaldas-Morkevicius-by-Thomas-Martin-scaled.jpg 1920w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/24-12-16-Visvaldas-Morkevicius-by-Thomas-Martin-225x300.jpg 225w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/24-12-16-Visvaldas-Morkevicius-by-Thomas-Martin-768x1024.jpg 768w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/24-12-16-Visvaldas-Morkevicius-by-Thomas-Martin-1152x1536.jpg 1152w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/24-12-16-Visvaldas-Morkevicius-by-Thomas-Martin-1536x2048.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\"><em>V. Morkevi\u010dius. Thomas Martin nuotr.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><strong>Visvaldai, kaip gim\u0117 k\u016brinys \u201eUntitled\u201c? Kokia jo vidin\u0117 logika, k\u0105 jis tau rei\u0161kia asmeni\u0161kai ir k\u0105 nor\u0117tum, kad \u017ei\u016brovas i\u0161vyst\u0173, pajust\u0173?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0160\u012f darb\u0105 suk\u016briau studijuodamas \u00c9CAL Fotografijos magistr\u0105 (University of Art and Design Lausanne, \u0160veicarija), o mano darbo vadov\u0117 buvo meninink\u0117 Katy Hundertmark (FOAM \u017eurnalo redaktor\u0117). Tuo metu ir prasid\u0117jo \u0161i\u0173 k\u016brini\u0173 kryptis \u2013 tai gana politiniai darbai. K\u016brinys \u201eUntitled\u201c i\u0161 ties\u0173 yra skydas \u2013 vis d\u0117lto nors a\u0161 j\u012f taip vadinu, i\u0161 ties\u0173 k\u016briniui tai pernelyg tiesmuka, netinka.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201eUntitled\u201c atsirado i\u0161 paties k\u016brinio ir konteksto, kalba apie tai, kaip unikalus k\u016bnas patampa dar vienu objektu ir i\u0161tirpsta tarp kit\u0173. Dabartin\u0117 geopolitin\u0117 situacija priver\u010dia galvoti apie tai, kaip \u017emon\u0117s gr\u012f\u017eta arba negr\u012f\u017eta i\u0161 karo: vieni su\u017ealoti, kiti psichologi\u0161kai sutraumuoti. A\u0161, pakankamai jaunas vyras, tikrai b\u016b\u010diau vienas i\u0161 pirm\u0173j\u0173, kuris tur\u0117t\u0173 eiti \u012f front\u0105. Stabtel\u0117jus ir pagalvojus, apima toks jausmas, kad gr\u012f\u017e\u0119 \u017emon\u0117s tampa lyg panaudoti objektai. Pasijunti taip, lyg ka\u017ekas tave valdyt\u0173, \u2013 b\u016btent Michel Foucault \u201eBiopolitics\u201c ir kalba apie kontroliavim\u0105 per k\u016bn\u0105. 80-aisiais buvo \u012fra\u0161ytas paskait\u0173 ciklas, kaip re\u017eimai ir j\u0117gos pozicijos gali valdyti \u017emones. M\u0105stant apie tai ir turint omeny vykstan\u010dius konfliktus, pradedi jausti, kad \u017emon\u0117s tampa \u012frankiu tikslui pasiekti. Man tai yra ir \u012fdomu, ir jautru.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Nors karo Ukrainoje tiesiogiai nepatiriu, jis mane palie\u010dia.<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">Esame arti Ukrainos, bet chaosas vyksta visame pasaulyje. \u017dmon\u0117s naudojami kaip daiktai, yra daug valdan\u010dios galios. Kad ir Izraelio pavyzdys, Palestina, Kinija, Indija, Afrikos \u0161alys\u2026 Mes \u0161iandien jau\u010diam\u0117s laisvi, ta\u010diau k\u016brinys \u201eUntitled\u201c yra apie biopolitik\u0105, kai k\u016bnas ir jo naudojimas yra galios i\u0161rai\u0161ka. Mano k\u016brini\u0173 tikslas, kad jie b\u016bt\u0173 rodomi visur: ir vienoje, ir kitoje barikad\u0173 pus\u0117je, o \u017ei\u016brovas sugeb\u0117t\u0173 m\u0105styti ir kriti\u0161kai klausti, kas vyksta. Visai kaip ir m\u016bs\u0173 kult\u016bros situacija \u0161iandien. Mes esame skydai, kurie gali b\u016bti naudojimui pulti, saugoti, tik klausimas kas juos naudos \u2013 ar tie, kas yra galios pozicijoje, vald\u017eia? O gal mes patys \u012fgalinsime save spr\u0119sti.<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;galleryId&quot;:&quot;6ad06c31528ea&quot;}\" data-wp-interactive=\"core\/gallery\" class=\"wp-block-gallery has-nested-images columns-2 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6ad06c3152efe&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6ad06c3152efe\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"7307\" src=\"https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/1-Visvaldas-Morkevicius-Untitled-IPMA-2025-1024x768.jpg\" alt=\"\" class=\"wp-image-7307\" srcset=\"https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/1-Visvaldas-Morkevicius-Untitled-IPMA-2025-1024x768.jpg 1024w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/1-Visvaldas-Morkevicius-Untitled-IPMA-2025-300x225.jpg 300w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/1-Visvaldas-Morkevicius-Untitled-IPMA-2025-768x576.jpg 768w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/1-Visvaldas-Morkevicius-Untitled-IPMA-2025-1536x1152.jpg 1536w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/1-Visvaldas-Morkevicius-Untitled-IPMA-2025-400x300.jpg 400w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/1-Visvaldas-Morkevicius-Untitled-IPMA-2025.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6ad06c31534bf&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6ad06c31534bf\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"765\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"7310\" src=\"https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/4-Visvaldas-Morkevicius-Untitled-IPMA-2025-1024x765.jpg\" alt=\"\" class=\"wp-image-7310\" srcset=\"https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/4-Visvaldas-Morkevicius-Untitled-IPMA-2025-1024x765.jpg 1024w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/4-Visvaldas-Morkevicius-Untitled-IPMA-2025-300x224.jpg 300w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/4-Visvaldas-Morkevicius-Untitled-IPMA-2025-768x573.jpg 768w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/4-Visvaldas-Morkevicius-Untitled-IPMA-2025-1536x1147.jpg 1536w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/4-Visvaldas-Morkevicius-Untitled-IPMA-2025-400x300.jpg 400w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/4-Visvaldas-Morkevicius-Untitled-IPMA-2025.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6ad06c3153a47&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6ad06c3153a47\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"7309\" src=\"https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/3-Visvaldas-Morkevicius-Untitled-IPMA-2025-1024x768.jpg\" alt=\"\" class=\"wp-image-7309\" srcset=\"https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/3-Visvaldas-Morkevicius-Untitled-IPMA-2025-1024x768.jpg 1024w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/3-Visvaldas-Morkevicius-Untitled-IPMA-2025-300x225.jpg 300w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/3-Visvaldas-Morkevicius-Untitled-IPMA-2025-768x576.jpg 768w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/3-Visvaldas-Morkevicius-Untitled-IPMA-2025-1536x1152.jpg 1536w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/3-Visvaldas-Morkevicius-Untitled-IPMA-2025-400x300.jpg 400w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/3-Visvaldas-Morkevicius-Untitled-IPMA-2025.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\"><em>\u201eUntitled\u201c IPMA festivalyje.<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Festivalio tema yra \u201eId\u0117jos. Kurian\u010dios ir griaunan\u010dios\u201c. Kaip Tu interpretuoji \u0161i\u0105 tem\u0105 savo k\u016bryboje? Ar yra konkret\u016bs gyvenimo momentai, prisiminimai ar istorijos, kurios tave \u0161iuo metu ypa\u010d veikia?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nei\u0161vengiamai bet kokia patirtis tampa gyvenimo istorijos dalimi. Ji gali stipriau arba silpniau paveikti, klausimas, kaip ji \u012fsiskverbia \u012f veiksm\u0105, k\u016brin\u012f ar pasirinkim\u0105.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Studijuodamas \u0160veicarijoje tur\u0117jau galimyb\u0119 dviems metams atitr\u016bkti nuo Lietuvos. Ten aplinka buvo visai kitokia \u2013 smaragdiniai e\u017eerai, kalnai, \u017emon\u0117s be streso. Nors tuo pat metu a\u0161 vis tiek galvojau, kad ka\u017ekur vyksta karai, krenta bombos, \u0161is atsitraukimas nuo nuolatin\u0117s medij\u0173 \u012ftampos suteik\u0117 kitoki\u0105 energij\u0105.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Kai nustojau save blokuoti ir b\u016bti patogiu sau pa\u010diam, prad\u0117jau priimti nepatogius klausimus ir nebijoti kritikuoti valstybinio naratyvo.<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">Prad\u0117jau galvoti apie savo santyk\u012f su k\u016bryba: ar reaguoju, ar nereaguoju \u012f pasaulio \u012fvykius, ar renkuosi kurti gro\u017e\u012f kaip reakcij\u0105. Vienas d\u0117stytoj\u0173, Bruno Ceschel, skatino atkreipti d\u0117mes\u012f \u012f svarbius \u012fvykius, kiti studentai dalinosi mintimis, ka\u017ekas pamin\u0117jo Izraelio-Palestinos konflikt\u0105. Supratau, kad vengiau kalb\u0117ti apie politinius ar geopolitinius dalykus, nors man jie visada buvo svarb\u016bs.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nuo 2023 m. vis labiau reflektuoju ne tik asmenines patirtis, bet ir tai, kas vyksta aplinkui. Nors karo Ukrainoje tiesiogiai nepatiriu, jis mane palie\u010dia. Ie\u0161kau b\u016bd\u0173, kaip apie tai kalb\u0117ti korekti\u0161kai, neapsimetu, kad visk\u0105 \u017einau. Kiekviename k\u016brinyje tai pasirei\u0161kia skirtingai \u2013 kartais tiesiogiai, kartais netiesiogiai. Da\u017enai atsispiriu nuo galios pozicijos temos. Vienas ankstesni\u0173 darb\u0173 buvo apie medij\u0105 \u2013 kaip ji mane veikia. Tame darbe pasinaudojau patirtimi klausant ukrainie\u010dio menininko istorij\u0173, pasakojusio apie savo vaikyst\u0117s namus. Supratau, kad \u201enamai\u201c yra tema, kuri\u0105 visi ne\u0161iojam\u0117s, tod\u0117l ji gali sujaudinti net pripratint\u0105 prie karo vaizd\u0173 \u017ei\u016brov\u0105.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kai nustojau save blokuoti ir b\u016bti patogiu sau pa\u010diam, prad\u0117jau priimti nepatogius klausimus ir nebijoti kritikuoti valstybinio naratyvo. K\u016brinyje \u201eUntitled\u201c \u2013 9 aliumin\u0117s sukniedytos plok\u0161t\u0117s, taip pat naudoju fotogrametrij\u0105 \u2013 technologij\u0105, kuri perkonstruoja vaizd\u0105 \u012f nauj\u0105 form\u0105, mano atveju, sulau\u017eo esam\u0105 vaizd\u0105 \u012f sistemos algoritm\u0105.<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6ad06c31549d2&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6ad06c31549d2\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/2-Visvaldas-Morkevicius-Untitled-IPMA-2025-1024x768.jpg\" alt=\"\" class=\"wp-image-7308\" srcset=\"https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/2-Visvaldas-Morkevicius-Untitled-IPMA-2025-1024x768.jpg 1024w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/2-Visvaldas-Morkevicius-Untitled-IPMA-2025-300x225.jpg 300w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/2-Visvaldas-Morkevicius-Untitled-IPMA-2025-768x576.jpg 768w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/2-Visvaldas-Morkevicius-Untitled-IPMA-2025-1536x1152.jpg 1536w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/2-Visvaldas-Morkevicius-Untitled-IPMA-2025-400x300.jpg 400w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/2-Visvaldas-Morkevicius-Untitled-IPMA-2025.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Tavo k\u016bryboje aptinkami kasdieniai vaizdai, miesto gyvenimas, subkult\u016bros, \u201epriva\u010dios tiesos\u201c ir \u201evie\u0161os paslaptys\u201c. Kaip miesto erdv\u0117s, \u017emon\u0117s, santykiai su jais kei\u010dia tavo \u017ei\u016br\u0117jim\u0105, fotografavimo praktik\u0105?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Anks\u010diau mano k\u016bryboje buvo daugiau dokumentikos \u2013 bandymas per aplink\u0105 ir kitus \u017emones pa\u017einti save. Dabar vis da\u017eniau naudoju save kaip simbol\u012f, ta\u010diau reflektuoju per bendruomen\u0119, socium\u0105. Aplinka ir bendruomen\u0117 i\u0161lieka svarbios, bet jos tampa labiau kontekstine terpe, o save \u012fterpiu kaip vizualin\u012f element\u0105. I\u0161 esm\u0117s pasikeit\u0117 perspektyva: anks\u010diau ie\u0161kojau, kaip visuomen\u0117 mane atspindi, o dabar \u2013 kaip a\u0161 pats joje save pozicionuoju. Tai nebuvo taktinis pokytis, gal nauj\u0173 patir\u010di\u0173 \u012ftaka.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Kas tave \u0161iuo metu \u012fkvepia \u2013 fotografai, menininkai, literat\u016bra, filosofija, muzika ar kasdienyb\u0117s nutikimai? Ar yra konkretus m\u0105stytojas ar k\u016br\u0117jas, su kurio mintimis jautiesi artimas?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Netikiu m\u016bza, bet tikiu darbu. Did\u017eiausias \u012fkv\u0117pimas man yra pats procesas \u2013 imti ir daryti. \u201eDarymas bedarant\u201c yra tai, kas i\u0161 tikr\u0173j\u0173 veikia. \u010cia kaip \u201eNike\u201c \u0161\u016bkis \u201eJust do it\u201c, kuris atrakina dalykus. Bandant, testuojant atsiranda naujos id\u0117jos. \u012ekv\u0117pimas neateina i\u0161 \u0161alies, jis kyla i\u0161 praktikos. O jei reikt\u0173 sukonkretinti, kas mane veikia \u2013 tai \u201edeadline\u2019as\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u017dinoma, mane veikia ir muzika, filmai, knygos, filosofija, mokytojai, kartais moksliniai dalykai. Galb\u016bt tai, kas nustebina, atliepia. Kaip jau min\u0117jau, Michel Faucoult \u2013 <em>biopolitics<\/em> momentas. O kas mane dar stipriau paveik\u0117 \u2013 tai Piet\u0173 kor\u0117jie\u010di\u0173 kilm\u0117s Vokietijoje gyvenan\u010dio filosofo Byung-Chul Han kalba apie perdegusi\u0105 visuomen\u0119, psichopolitik\u0105, su \u201etechnofeodalizmo\u201c ir politikos analiz\u0117mis. Tai \u012fkvepia, ta\u010diau, saky\u010diau, nemaloniai. Jo id\u0117jos man artimos, nes atpa\u017e\u012fstu jose savo patirt\u012f ir aplink\u0105.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Muzika anks\u010diau buvo svarbesnis k\u016brybos komponentas, o \u0161iandien labiau domina politinis aspektas \u2013 kaip per k\u016bryb\u0105 i\u0161sakyti savo pozicij\u0105. \u012ekv\u0117pimas neb\u016btinai turi b\u016bti malonus: kartais jis kyla i\u0161 diskomforto, konflikto ar kritin\u0117s refleksijos.<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6ad06c3155389&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6ad06c3155389\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/5-Visvaldas-Morkevicius-Untitled-IPMA-2025-768x1024.jpg\" alt=\"\" class=\"wp-image-7311\" style=\"aspect-ratio:2\/3;object-fit:cover\" srcset=\"https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/5-Visvaldas-Morkevicius-Untitled-IPMA-2025-768x1024.jpg 768w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/5-Visvaldas-Morkevicius-Untitled-IPMA-2025-225x300.jpg 225w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/5-Visvaldas-Morkevicius-Untitled-IPMA-2025-1152x1536.jpg 1152w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/5-Visvaldas-Morkevicius-Untitled-IPMA-2025-1536x2048.jpg 1536w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2025\/10\/5-Visvaldas-Morkevicius-Untitled-IPMA-2025.jpg 1875w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Kiek tau svarbu, kas \u017ei\u016bri tavo darbus, kok\u012f poveik\u012f jie turi \u2013 ar labiau kuri sau, savirai\u0161kai, ar stengiesi, kad \u017ei\u016brovas b\u016bt\u0173 paveiktas, \u012fsitraukt\u0173, reflektuot\u0173? Kaip atsiliepimai ar kritika veikia tavo k\u016bryb\u0105?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u017di\u016brovas man yra labai svarbus. Galvoju, kaip mano pasirinkimai gal\u0117t\u0173 j\u012f paveikti ar paskatinti perskaityti mano mint\u012f. Kartu stengiuosi palikti erdv\u0117s jo paties interpretacijai. A\u0161 galvoju apie \u017ei\u016brov\u0105. Mano tikslas \u2013 vizualiais klausimais paskatinti \u017ei\u016brov\u0105 rasti atsakymus sau, toks terapeutinis metodas. Did\u017eiausias pasiekimas, kai \u017emogus atranda ka\u017ek\u0105 asmeni\u0161kai svarbaus.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Man svarbu, kad kiekvienas k\u016brinys b\u016bt\u0173 ne tik vizualus, bet ir tur\u0117t\u0173 ai\u0161ki\u0105 refleksij\u0105 apie aplink\u0105, politik\u0105, bendruomen\u0119.<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">Kritik\u0105 vertinu, kai ji argumentuota. Ji neb\u016btinai turi b\u016bti maloni, bet svarbu, kad b\u016bt\u0173 naudinga \u2013 pad\u0117t\u0173 man pa\u010diam atrasti naujas perspektyvas. Tokia main\u0173 dinamika man suteikia energijos.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Kaip atrodo Tavo k\u016brybos procesas \u2013 nuo id\u0117jos iki galutinio darbo? Ar turi ritual\u0173, kurie padeda \u012feiti \u012f k\u016brybin\u012f re\u017eim\u0105, kaip tvarkaisi su abejon\u0117mis ar k\u016brybos \u201eblokais\u201c? O gal toki\u0173 neb\u016bna?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Procesas da\u017enai prasideda nuo min\u010di\u0173 \u017eem\u0117lapio \u2013 u\u017esira\u0161au aktualias temas, kad nenutol\u010diau nuo sav\u0119s. Po to bandau vizualizuoti: atsispausdinu, pa\u017ei\u016briu ekrane, pasikalbu su kolegomis. Kartais ilgai ie\u0161kau tinkamos formos, kol pajuntu, kad darbas jau gali eiti \u012f \u201eprodukcin\u0119\u201c faz\u0119. Tai dabar svarbu, kaip pavyks visk\u0105 i\u0161pl\u0117toti.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">O kalbant apie k\u016brybinius blokus, kartais svarstau: b\u016bna, kad nenori nieko daryti. Tai gal tuo metu ir nereikia nieko daryti? Poilsis irgi svarbus \u2013 reikia laiko atsitraukti, paskaityti, dom\u0117tis kitomis sritimis. Kartais net priverstinai pakei\u010diu savo rutin\u0105 \u2013 einu kitu keliu \u012f darb\u0105, kad i\u0161judin\u010diau mintis. Bet pasikartosiu \u2013 geriausias pagalbininkas man \u0161iuo atveju yra imti ir daryti. Kartais atrodo, kad neturiu \u012fkv\u0117pimo, bet prad\u0117jus eksperimentuoti, ateina naujos id\u0117jos. Eksperimentas padeda i\u0161vengti k\u016brybini\u0173 blok\u0173.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Didel\u0117 pagalba yra \u012fsipareigojimai \u2013 projektai su terminais. Tai tarsi \u201esusitarimai\u201c, kurie neleid\u017eia u\u017estrigti. Kartais atrodo, kad tik paskutiniai m\u0117nesiai i\u0161 tikr\u0173j\u0173 produktyv\u016bs, bet tai ir yra proceso dalis.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>K\u0105 nor\u0117tum i\u0161bandyti per artimiausius metus? Kokia kryptis tav\u0119s dar laukia? Gal turi projekt\u0173, id\u0117j\u0173, kuriais nor\u0117tum pasidalinti?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Artimiausiu metu noriu pristatyti nauj\u0105 savo k\u016brybin\u012f etap\u0105 Lietuvoje \u2013 festivalio kontekste tai bus pirmas kartas. Planuoju parengti bent dvi parodas: viena \u2013 serija susijusi su \u201eUntitled\u201c skydu, kita \u2013 su kitu, dar vystomu projektu. Tikslas \u2013 i\u0161pl\u0117toti \u0161iuos projektus \u012f solo parodas, kad jie b\u016bt\u0173 paruo\u0161ti pristatymui tiek Lietuvoje, tiek u\u017esienyje. Man svarbu, kad kiekvienas k\u016brinys b\u016bt\u0173 ne tik vizualus, bet ir tur\u0117t\u0173 ai\u0161ki\u0105 refleksij\u0105 apie aplink\u0105, politik\u0105, bendruomen\u0119.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Tarptautinis fotografijos ir medij\u0173 meno festivalis IPMA vyksta spalio 1\u201331 d. Projekt\u0105 finansuoja Kauno kolegija, Lietuvos kult\u016bros taryba, Kauno miesto savivaldyb\u0117s inicijuojama programa \u201eIniciatyvos Kaunui\u201c.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Pilnas straipsnis publikuotas:<br><a href=\"https:\/\/kaunaspilnas.lt\/ipma-dalyvio-visvaldo-morkeviciaus-fotografijoje-refleksijos-apie-galios-mechanizmus\/\" title=\"\">\u201eKaunas pilnas kult\u016bros\u201c,<\/a> 2025 m. spalio 15 d.<br><a href=\"https:\/\/artnews.lt\/visvaldo-morkeviciaus-kuryboje-menas-tampantis-refleksija-apie-galios-mechanizmus-129049\" title=\"\">artnews.lt,<\/a> 2025 m. spalio 16 d.<br><a href=\"https:\/\/www.delfi.lt\/kultura\/naujienos\/visvaldo-morkeviciaus-kuryboje-menas-tampantis-refleksija-apie-galios-mechanizmus-120162603\" title=\"\">DELFI.lt<\/a>, 2025 m. spalio 19 d.<br>Autor\u0117: Tamara Pathak<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201eMes esame skydai, kurie gali b\u016bti naudojami pulti ar saugoti. Klausimas, kas mus naudos \u2013 ar tie, kas yra galios pozicijoje, vald\u017eia? O gal mes patys \u012fgalinsime save spr\u0119sti?, \u2013 svarsto menininkas Visvaldas Morkevi\u010dius. Jo k\u016bryboje k\u016bnas analizuojamas kaip galios instrumentas, biopolitika kaip kasdienyb\u0117s fonas, o menas \u2013 kaip refleksijos priemon\u0117. Susipa\u017einti su menininko k\u016bryba&#8230; <\/p>\n<div class=\"clear\"><\/div>\n<p><a href=\"https:\/\/ipmafestival.lt\/en\/2025\/10\/16\/kaunas-pilnas-kulturos-ipma-dalyvio-visvaldo-morkeviciaus-fotografijoje-refleksijos-apie-galios-mechanizmus-2\/\" class=\"gdlr-info-font excerpt-read-more\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":7313,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[346],"tags":[],"class_list":["post-7321","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-media"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.1.1 - aioseo.com -->\n\t<meta name=\"description\" content=\"\u201eMes esame skydai, kurie gali b\u016bti naudojami pulti ar saugoti. Klausimas, kas mus naudos \u2013 ar tie, kas yra galios pozicijoje, vald\u017eia? O gal mes patys \u012fgalinsime save spr\u0119sti?, \u2013 svarsto menininkas Visvaldas Morkevi\u010dius. Jo k\u016bryboje k\u016bnas analizuojamas kaip galios instrumentas, biopolitika kaip kasdienyb\u0117s fonas, o menas \u2013 kaip refleksijos priemon\u0117. 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Klausimas, kas mus naudos \u2013 ar tie, kas yra galios pozicijoje, vald\u017eia? O gal mes patys \u012fgalinsime save spr\u0119sti?, \u2013 svarsto menininkas Visvaldas Morkevi\u010dius. Jo k\u016bryboje k\u016bnas analizuojamas kaip galios instrumentas, biopolitika kaip kasdienyb\u0117s fonas, o menas \u2013 kaip refleksijos priemon\u0117. Susipa\u017einti su menininko","twitter:image":"https:\/\/ipmafestival.lt\/wp-content\/uploads\/2026\/06\/ipma_festivalis_sharing_2026.jpg"},"aioseo_meta_data":{"post_id":"7321","title":null,"description":null,"keywords":null,"keyphrases":{"focus":[],"additional":[]},"primary_term":null,"canonical_url":null,"og_title":null,"og_description":null,"og_object_type":"default","og_image_type":"default","og_image_url":null,"og_image_width":null,"og_image_height":null,"og_image_custom_url":null,"og_image_custom_fields":null,"og_video":"","og_custom_url":null,"og_article_section":null,"og_article_tags":null,"twitter_use_og":false,"twitter_card":"default","twitter_image_type":"default","twitter_image_url":null,"twitter_image_custom_url":null,"twitter_image_custom_fields":null,"twitter_title":null,"twitter_description":null,"schema":{"blockGraphs":[],"customGraphs":[],"default":{"data":{"Article":[],"Course":[],"Dataset":[],"FAQPage":[],"Movie":[],"Person":[],"Product":[],"ProductReview":[],"Car":[],"Recipe":[],"Service":[],"SoftwareApplication":[],"WebPage":[]},"graphName":"BlogPosting","isEnabled":true},"graphs":[]},"schema_type":"default","schema_type_options":null,"pillar_content":false,"robots_default":true,"robots_noindex":false,"robots_noarchive":false,"robots_nosnippet":false,"robots_nofollow":false,"robots_noimageindex":false,"robots_noodp":false,"robots_notranslate":false,"robots_max_snippet":"-1","robots_max_videopreview":"-1","robots_max_imagepreview":"large","priority":null,"frequency":"default","local_seo":null,"breadcrumb_settings":null,"limit_modified_date":false,"ai":{"faqs":[],"keyPoints":[],"titles":[],"descriptions":[],"socialPosts":{"email":[],"linkedin":[],"twitter":[],"facebook":[],"instagram":[]}},"created":"2025-10-16 12:04:07","updated":"2026-08-11 12:39:38","seo_analyzer_scan_date":null,"focus_keyword":null,"additional_keywords":null,"truseo_locale":null},"aioseo_breadcrumb":"<div class=\"aioseo-breadcrumbs\"><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/ipmafestival.lt\/en\" title=\"Home\">Home<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">&raquo;<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\t<a href=\"https:\/\/ipmafestival.lt\/en\/category\/news-media\/\" title=\"News and Media\">News and Media<\/a>\n\t\t<\/span><span class=\"aioseo-breadcrumb-separator\">&raquo;<\/span><span class=\"aioseo-breadcrumb\">\n\t\t\tKaunas pilnas kult\u016bros: IPMA dalyvio Visvaldo Morkevi\u010diaus fotografijoje \u2013 refleksijos apie galios mechanizmus\n\t\t<\/span><\/div>","aioseo_breadcrumb_json":[{"label":"Home","link":"https:\/\/ipmafestival.lt\/en"},{"label":"News and Media","link":"https:\/\/ipmafestival.lt\/en\/category\/news-media\/"},{"label":"Kaunas pilnas kult\u016bros: IPMA dalyvio Visvaldo Morkevi\u010diaus fotografijoje \u2013 refleksijos apie galios mechanizmus","link":"https:\/\/ipmafestival.lt\/en\/2025\/10\/16\/kaunas-pilnas-kulturos-ipma-dalyvio-visvaldo-morkeviciaus-fotografijoje-refleksijos-apie-galios-mechanizmus-2\/"}],"_links":{"self":[{"href":"https:\/\/ipmafestival.lt\/en\/wp-json\/wp\/v2\/posts\/7321","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ipmafestival.lt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ipmafestival.lt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ipmafestival.lt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ipmafestival.lt\/en\/wp-json\/wp\/v2\/comments?post=7321"}],"version-history":[{"count":2,"href":"https:\/\/ipmafestival.lt\/en\/wp-json\/wp\/v2\/posts\/7321\/revisions"}],"predecessor-version":[{"id":7351,"href":"https:\/\/ipmafestival.lt\/en\/wp-json\/wp\/v2\/posts\/7321\/revisions\/7351"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ipmafestival.lt\/en\/wp-json\/wp\/v2\/media\/7313"}],"wp:attachment":[{"href":"https:\/\/ipmafestival.lt\/en\/wp-json\/wp\/v2\/media?parent=7321"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ipmafestival.lt\/en\/wp-json\/wp\/v2\/categories?post=7321"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ipmafestival.lt\/en\/wp-json\/wp\/v2\/tags?post=7321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}