{"id":8306,"date":"2026-10-05T09:04:18","date_gmt":"2026-10-05T06:04:18","guid":{"rendered":"https:\/\/ipmafestival.lt\/?p=8306"},"modified":"2026-10-06T00:04:43","modified_gmt":"2026-10-05T21:04:43","slug":"kauno-diena-ipma-festivalyje-rysiai-nuo-hamburgo-baro-iki-lietuvos-kaimo-2","status":"publish","type":"post","link":"https:\/\/ipmafestival.lt\/en\/2026\/10\/05\/kauno-diena-ipma-festivalyje-rysiai-nuo-hamburgo-baro-iki-lietuvos-kaimo-2\/","title":{"rendered":"Kauno diena: IPMA festivalyje \u2013 ry\u0161iai nuo Hamburgo baro iki Lietuvos kaimo"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Vis\u0105 spal\u012f vyksian\u010diame ketvirtajame Tarptautiniame fotografijos ir medij\u0173 meno festivalyje IPMA pristatomas Lietuvos ir u\u017esienio k\u016br\u0117j\u0173 fotografijas, vaizdo meno ir tarpdisciplininius darbus \u0161iemet jungia tema \u201eRy\u0161ys\u201c. Programoje ji atsiskleid\u017eia perteikiant \u017emoni\u0173 artum\u0105, bendruomenes, migracijos patirtis, santyk\u012f su gamta, miesto kaita ir technologijomis. Vienas programos akcent\u0173 \u2013 \u0161ved\u0173 fotografo Anderso Peterseno serija \u201eCaf\u00e9 Lehmitz\u201c.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Skirtingos kuratori\u0173 perspektyvos<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kviestini\u0173 u\u017esienio meninink\u0173 program\u0105 kuruoja fotografijos kurator\u0117 ir socialini\u0173 moksl\u0173 tyr\u0117ja dr. Wiktoria Micha\u0142kiewicz, Lietuvos ir Baltijos \u0161ali\u0173 meninink\u0173 dal\u012f \u2013 menotyrininkas, fotografijos teoretikas ir kuratorius dr. Tomas Pabedinskas. Vis\u0105 festivalio program\u0105 kuruoja jo sumanytoja ir meno vadov\u0117 Svetlana Batura.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ji pasakoja, kad \u0161iemet Lietuvos meninink\u0173 program\u0105 festivalis i\u0161ple\u010dia iki Baltijos regiono. S. Baturos teigimu, i\u0161ry\u0161k\u0117jo ir skirtingos kuratori\u0173 perspektyvos: W. Micha\u0142kiewicz ry\u0161io tem\u0105 interpretuoja pasirinkdama konceptual\u0173j\u012f men\u0105, aplink\u0105, gamt\u0105 ir technologijas, o T. Pabedinskas \u2013 \u017emog\u0173, jo aplink\u0105 ir priklausym\u0105 bendruomenei.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">T. Pabedinskas ai\u0161kina, kad Lietuvai ir Baltijos \u0161alims skirta dalimi nesiekiama pateikti i\u0161samios regiono fotografijos ap\u017evalgos. Pasirinkta parodyti konkre\u010dios temos sklaid\u0105 ir skirtingas fotografijos kryptis \u2013 nuo humanistin\u0117s iki konceptualiosios. Meninink\u0173 darbuose ry\u0161io tema interpretuojama \u201enuo tarpasmenini\u0173 ry\u0161i\u0173 iki ekologijos, nuo subkult\u016br\u0173 bendruomeni\u0173 iki migracijos patir\u010di\u0173\u201c, teigia kuratorius.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">S. Baturai viena svarbiausi\u0173 festivalio patir\u010di\u0173 \u2013 susitikimai su k\u016br\u0117jais, kuri\u0173 darbus ji ilgai steb\u0117jo ir vertino. Anks\u010diau jie jai atrod\u0117 tolimi, o dabar atvyksta ir tampa festivalio dalimi. \u201eGyvas pokalbis labai greitai panaikina atstum\u0105, kur\u012f da\u017enai patys ir susikuriame\u201c, \u2013 sako ji.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Hamburgo baro \u017emon\u0117s<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pirm\u0105 kart\u0105 Lietuvoje pristatomo A. Peterseno parodoje eksponuojami 52 serijos \u201eCaf\u00e9 Lehmitz\u201c vinta\u017einiai 1977 m. atspaudai. Pa\u010dios fotografijos kurtos anks\u010diau: serijos istorija prasid\u0117jo 1967 m. Hamburgo St. Pauli rajone, to paties pavadinimo bare. \u010cia rinkdavosi vietos gyventojai, uosto darbininkai, j\u016breiviai, sekso darbuotojai ir kiti da\u017enai visuomen\u0117s paribiuose gyven\u0119 \u017emon\u0117s. Fotografas \u012f bar\u0105 gr\u012f\u017edavo beveik trejus metus, leisdavo laik\u0105 su lankytojais ir u\u017emezg\u0117 su jais artimus ry\u0161ius. Parodos apra\u0161yme pabr\u0117\u017eiama, kad kasdienyb\u0119 jis fotografavo b\u016bdamas jos dalimi. V\u0117liau \u0161i\u0105 med\u017eiag\u0105 A. Petersenas lygino su \u0161eimos albumu.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6ad033ba11838&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6ad033ba11838\" class=\"aligncenter size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"800\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/ipmafestival.lt\/wp-content\/uploads\/2026\/10\/img1292844.jpg\" alt=\"\" class=\"wp-image-8302\" srcset=\"https:\/\/ipmafestival.lt\/wp-content\/uploads\/2026\/10\/img1292844.jpg 1200w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2026\/10\/img1292844-300x200.jpg 300w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2026\/10\/img1292844-1024x683.jpg 1024w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2026\/10\/img1292844-768x512.jpg 768w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\"><em>Edgaro Cickevi\u010diaus nuotr.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Serijoje susilieja portretai ir baro gyvenimo scenos: \u017emon\u0117s kalbasi, geria, \u0161oka, pozuoja ar tiesiog leid\u017eia laik\u0105 kartu. 1970 m. pirmoji serijos paroda buvo surengta pa\u010diame \u201eCaf\u00e9 Lehmitz\u201c. Apie 350 fotografij\u0173 pritvirtinta vir\u0161 baro, o save atpa\u017ein\u0119 \u017emon\u0117s gal\u0117jo nuotraukas pasiimti.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1978 m. \u201eCaf\u00e9 Lehmitz\u201c i\u0161leista kaip fotografij\u0173 knyga. Viena serijos fotografij\u0173 1985 m. panaudota muzikanto Tomo Waitso albumo \u201eRain Dogs\u201c vir\u0161eliui. Serijos fotografijos saugomos Niujorko Modernaus meno muziejaus, Stokholmo \u201eModerna Museet\u201c ir kit\u0173 institucij\u0173 kolekcijose.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kaune \u0161i\u0105 parod\u0105 bus galima pamatyti ilgiau nei pagrindin\u0119 festivalio ekspozicij\u0105 \u2013 iki lapkri\u010dio 30 d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Skirtingos patirtys<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0160vedijoje gyvenan\u010dio ir kurian\u010dio menininki\u0173 dueto \u201eCooper &amp; Gorfer\u201c \u2013 Sarah\u2019os Cooper ir Ninos Gorfer \u2013 projekte \u201eBetween These Folded Walls, Utopia\u201c portretai siejami su tapatyb\u0117s, priklausymo ir priverstin\u0117s migracijos patirtimis.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">K\u016br\u0117jos kreip\u0117si \u012f vietos bendruomenes ir kalb\u0117josi su jaunomis moterimis, kuri\u0173 gyvenimus paveik\u0117 priverstin\u0117 migracija. Jos klaus\u0117 apie svajones, tapatyb\u0119, ilges\u012f ir priklausymo jausm\u0105. Portretuose i\u0161lieka asmeniniai daiktai i\u0161 ankstesnio gyvenimo, o sluoksniuotas kolia\u017eas kuria teatro dekoracijas primenan\u010dias erdves. Pa\u010dios autor\u0117s \u0161\u012f konstruojam\u0105 vaizd\u0173 pasaul\u012f vadina utopiniu teatru.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Visa serija apima 38 k\u016brinius, festivalio parodos atrank\u0105 sudaro 21 darbas. Projekt\u0105 papildo trumpametra\u017eis dokumentinis filmas \u201eBetween These Folded Walls, Utopia\u201c ir vaizdo instaliacija \u201eThe Eternal Play\u201c.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Miesto gyv\u016bnai ir k\u016bnai<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lenk\u0173 fotografo Micha\u0142o \u0141uczako projektas \u201eHabitat\u201c skirtas Var\u0161uvoje gyvenantiems laukiniams gyv\u016bnams. Projekto apra\u0161yme atkreipiamas d\u0117mesys \u012f Vyslos de\u0161iniajame krante i\u0161likusi\u0105 paupio mi\u0161ko juost\u0105 ir neu\u017estatytas erdves. \u010cia palankios s\u0105lygos gyventi stirnoms, \u0161ernams, lap\u0117ms ir bebrams, o mi\u0161ko koridorius leid\u017eia per miesto teritorij\u0105 jud\u0117ti ir kitiems \u017einduoliams, pvz., bried\u017eiams ir vilkams. \u201eHabitat\u201c dokumentuoja \u0161\u012f da\u017enai ma\u017eiau pastebim\u0105 Lenkijos sostin\u0117s gyvenim\u0105.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dan\u0173 meninink\u0117s Henriette\u2019\u0117s Sabroe Ebbesen darbuose, programoje pristatomuose pavadinimu \u201eUntitled\u201c, tyrin\u0117jamas \u017emogaus k\u016bnas, suvokimas ir fotografin\u0117s tikrov\u0117s ribos. Tarp kameros, k\u016bno ir aplinkos meninink\u0117 \u012fterpia veidrod\u017eius ir kitas atspindin\u010dias med\u017eiagas. Atpa\u017e\u012fstamos k\u016bn\u0173 ir kra\u0161tovaizd\u017eio formos susiskaido, kartojasi, kei\u010dia proporcijas.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Parodos apra\u0161yme nurodoma, kad \u0161ie i\u0161kraipymai sukuriami fizi\u0161kai fotografuojant, o ne skaitmeniniu vaizdo manipuliavimu. Veidrodis tampa priemone keisti tai, k\u0105 kamera gali u\u017efiksuoti, ir kelti klausim\u0105, kiek matomas vaizdas priklauso nuo \u017ei\u016brovo pozicijos.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6ad033ba12108&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6ad033ba12108\" class=\"aligncenter size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"800\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/ipmafestival.lt\/wp-content\/uploads\/2026\/10\/img1292825.jpg\" alt=\"\" class=\"wp-image-8304\" srcset=\"https:\/\/ipmafestival.lt\/wp-content\/uploads\/2026\/10\/img1292825.jpg 1200w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2026\/10\/img1292825-300x200.jpg 300w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2026\/10\/img1292825-1024x683.jpg 1024w, https:\/\/ipmafestival.lt\/wp-content\/uploads\/2026\/10\/img1292825-768x512.jpg 768w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\"><em>Edgaro Cickevi\u010diaus nuotr.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><strong>Bendruomen\u0117s ir vietos atmintis<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Latvi\u0173 fotografo Arnio Bal\u010daus serijoje \u201eThe Scene\u201c fiksuojama Rygos alternatyvaus jaunimo subkult\u016bra. Projekto centre \u2013 koncertai ir aplink juos susiformavusi bendruomen\u0117, kurioje susitinka pankai, gotai, hardcore muzikos gerb\u0117jai ir \u017emon\u0117s, vengiantys toki\u0173 apibr\u0117\u017eim\u0173.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Muzika \u010dia siejama su platesniais priklausymo, k\u016brybi\u0161kumo ir savirai\u0161kos klausimais. Projekto apra\u0161yme i\u0161skiriamos tapatyb\u0117s, psichikos sveikatos ir tarpasmenini\u0173 konflikt\u0173 temos.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dariaus \u017di\u016bros t\u0119stinis darbas \u201eGustoniai\u201c apr\u0117pia ketvirt\u012f am\u017eiaus. Nuo 2001 m. kas trejus metus menininkas pra\u0161o kiekvieno Gustoni\u0173 kaime \u0160iaur\u0117s Lietuvoje gyvenan\u010dio \u017emogaus skirti vien\u0105 minut\u0119 vaizdo kamerai. Portretai sujungiami ma\u017edaug \u012f valandos trukm\u0117s film\u0105. Sukurti devyni filmai, naujausias \u2013 2025 m.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Juose fiksuojama, kaip kei\u010diasi kaimas: \u017emon\u0117s mir\u0161ta ir gimsta, i\u0161vyksta, gr\u012f\u017eta ar atsikrausto pirm\u0105 kart\u0105. Kartu projektas registruoja socialinius, ekonominius poky\u010dius ir vaizdo technologij\u0173 raid\u0105.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Art\u016bro Morozovo 2021\u20132024 m. Rusn\u0117s saloje kurta serija \u201eSutikau \u017dmog\u0173\u201c pasakoja apie poet\u0105 \u010ceslov\u0105 Rut\u0119. Jo kasdienyb\u0119 supa Nemuno deltos kra\u0161tovaizdis, potvyniai ir kaimo gyvenimas. Dienomis \u010ceslovas dirba \u012fvairius darbus, o laisvu laiku ra\u0161o eil\u0117ra\u0161\u010dius mobiliajame telefone ir siun\u010dia juos \u017emon\u0117ms tarsi asmeninius lai\u0161kus.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0160ar\u016bno Kvietkaus projekte \u201e\u017dem\u0117\u201c analizuojamas Jungtin\u0117je Karalyst\u0117je gyvenan\u010di\u0173 lietuvi\u0173 emigrant\u0173 santykis su vieta ir pastangos u\u017esienyje susikurti savoti\u0161k\u0105 Lietuvos pakaital\u0105. Analogin\u0117s fotografijos procesais ant vieno pavir\u0161iaus perkeliami Lietuvoje ir Jungtin\u0117je Karalyst\u0117je fotografuoti \u017eem\u0117s plotai. Juos skirianti plona linija projekto apra\u0161yme ai\u0161kinama kaip vizualinis konfliktas, \u017eymintis \u0161i\u0173 teritorij\u0173 ir vertybi\u0173 nesuderinamum\u0105.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kauno upi\u0173 kait\u0105 nagrin\u0117ja Romualdo Pocevi\u010diaus \u201eIntervencija\u201c. Nemunas ir Neris fotografuojami i\u0161 vir\u0161aus, d\u0117mes\u012f sutelkiant \u012f urbanizacijos ir tilt\u0173 statyb\u0173 kei\u010diamas vietas. Projektu keliamas klausimas, kaip \u017emones jungianti infrastrukt\u016bra veikia santyk\u012f su gamta, up\u0117s ekosistema ir jos reljefu.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Fotografij\u0173 sujungti<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Festivalis prasid\u0117jo nuo Monikos Dirsyt\u0117s ir Vinco Alesiaus performanso \u201eRehearsal\u201c. Jo sumanymas \u2013 u\u017edaroje erdv\u0117je vykstantis ilgas fotografavimo procesas, kuriame vis\u0105 performanso laik\u0105 k\u016br\u0117jai praleid\u017eia kartu.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Projekto apra\u0161yme keliamas klausimas, kaip ilgainiui kei\u010diasi fotografuojamo \u017emogaus galimyb\u0117 kontroliuoti veid\u0105, k\u016bn\u0105, \u017evilgsn\u012f ir kuriam\u0105 atvaizd\u0105. Fotografavimas \u010dia suvokiamas ir kaip dviej\u0173 \u017emoni\u0173 santykio dalis. Programoje numatyta performanso \u012fra\u0161\u0105 rodyti ekranuose iki festivalio pabaigos.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pagrindin\u0117 IPMA festivalio programa Kauno paveiksl\u0173 galerijoje t\u0119sis iki spalio 31 d., o A. Peterseno \u201eCaf\u00e9 Lehmitz\u201c ekspozicij\u0105 galima pamatyti iki lapkri\u010dio 30 d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Tarptautinis fotografijos ir medij\u0173 meno festivalis IPMA vyksta spalio 1\u201331 d.&nbsp;Festival\u012f organizuoja: V\u0161\u012e Kauno kolegija ir V\u0161\u012e K\u016brybinis blokas. Festival\u012f finansuoja Lietuvos kult\u016bros taryba, Kauno miesto savivaldyb\u0117, Kauno miesto savivaldyb\u0117s inicijuojama programa \u201eIniciatyvos Kaunui\u201c. Festivalio partneriai: Nacionalinis M. K. \u010ciurlionio dail\u0117s muziejus, UAB \u201eKautra\u201c, Tarptautin\u0117 fotografijos festivali\u0173 asociacija IPFA, Lietuvos fotomeninink\u0173 s\u0105junga, Lietuvos kult\u016bros institutas, Kauno meninink\u0173 namai, Kauno moksleivi\u0173 technin\u0117s k\u016brybos centras, Lenkijos institutas Vilniuje, kavin\u0117 KULT\u016aRA!, Foto123, IRSAUL. Festivalio informaciniai partneriai: 15min, Kauno diena, Kaunas pilnas kult\u016bros, Kaunas IN, m\u0117nesinis kult\u016bros ir meno \u017eurnalas NEMUNAS.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Pilnas straipsnis pirm\u0105 kart\u0105 publikuotas <a href=\"https:\/\/kauno.diena.lt\/santaka\/ipma-festivalyje-rysiai-nuo-hamburgo-baro-iki-lietuvos-kaimo-1777553\">KAUNO DIENA<\/a>, 2026 m. spalio 5 d<\/em>. <em>Straipsnio autor\u0117 Ieva Rimkevi\u010di\u016bt\u0117. Edgaro Cickevi\u010diaus nuotr.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vis\u0105 spal\u012f vyksian\u010diame ketvirtajame Tarptautiniame fotografijos ir medij\u0173 meno festivalyje IPMA pristatomas Lietuvos ir u\u017esienio k\u016br\u0117j\u0173 fotografijas, vaizdo meno ir tarpdisciplininius darbus \u0161iemet jungia tema \u201eRy\u0161ys\u201c. Programoje ji atsiskleid\u017eia perteikiant \u017emoni\u0173 artum\u0105, bendruomenes, migracijos patirtis, santyk\u012f su gamta, miesto kaita ir technologijomis. Vienas programos akcent\u0173 \u2013 \u0161ved\u0173 fotografo Anderso Peterseno serija \u201eCaf\u00e9 Lehmitz\u201c. Skirtingos kuratori\u0173&#8230; <\/p>\n<div class=\"clear\"><\/div>\n<p><a href=\"https:\/\/ipmafestival.lt\/en\/2026\/10\/05\/kauno-diena-ipma-festivalyje-rysiai-nuo-hamburgo-baro-iki-lietuvos-kaimo-2\/\" class=\"gdlr-info-font excerpt-read-more\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":8297,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[346],"tags":[],"class_list":["post-8306","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-media"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.1.1 - aioseo.com -->\n\t<meta name=\"description\" content=\"Vis\u0105 spal\u012f vyksian\u010diame ketvirtajame Tarptautiniame fotografijos ir medij\u0173 meno festivalyje IPMA pristatomas Lietuvos ir u\u017esienio k\u016br\u0117j\u0173 fotografijas, vaizdo meno ir tarpdisciplininius darbus \u0161iemet jungia tema \u201eRy\u0161ys\u201c. 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